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- <text id=92TT2854>
- <title>
- Dec. 21, 1992: Reviews:Short Takes
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- Dec. 21, 1992 Restoring Hope
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 79
- SHORT TAKES
- </hdr><body>
- <p> TELEVISION: Brooding in Gotham City
- </p>
- <p> Batman is depressed. First he reads a headline in the
- local paper: PENGUIN CONVICTION OVERTURNED. Then, while rounding
- up some crooks, he nearly causes the death of Commissioner
- Gordon. BATMAN: THE ANIMATED SERIES, which is joining Fox's
- Sunday-night schedule after scoring big ratings in daytime, has
- the same dark hues as the hit movies on which it is based, but
- probably more entertainment bang for the buck. The animation
- nicely reproduces the films' shadowy, expressionist look; the
- action scenes really make sense; and the scripts aspire to more.
- This brooding superhero even paraphrases Santayana: "A fanatic
- is someone who redoubles his efforts while losing sight of his
- goal." Holy egghead!
- </p>
- <p> THEATER: A Favorite No More
- </p>
- <p> In his most glorious comic acting on film, Peter O'Toole
- played a washed-up swashbuckling movie star, raddled with
- debauchery yet oddly innocent. The man journeyed hours to
- glimpse an estranged daughter but did not dare speak to her and
- dismissed his screen heroism as fakery until he thrillingly
- discovered that it, like all art, came from deep within. The
- barren Broadway musical of MY FAVORITE YEAR, which opened last
- week, turns O'Toole's holy hellion into a soulless self-pitier
- (a deft if charmless Tim Curry) and wrongly presumes that the
- film's appeal was its setting amid a '50s TV variety show--a
- format joylessly re-created. For the movie's fans, this is a sad
- waste; for others, a crashing bore.
- </p>
- <p> BOOKS: Ordinary Wonders
- </p>
- <p> Why do most dinner forks have four tines? How did the
- zipper come about? Henry Petroski, the inquisitive engineering
- professor from Duke who gave us a history of The Pencil (it's
- more interesting than you would imagine), provides the answers
- in a lively new treatise on design called THE EVOLUTION OF
- USEFUL THINGS (Knopf; $24). In a lifetime, notes the author, the
- average adult will encounter 20,000 or more everyday objects,
- most of which are taken for granted. Petroski argues that form
- follows failure rather than function, meaning that the
- inadequacies of existing things have inspired inventors to see
- if they could do better. The author's message: considering its
- history, the humble paper clip is as much of an industrial
- miracle as the atom smasher.
- </p>
- <p> CINEMA: Tiny Tim Without Father Jim
- </p>
- <p> "The Marleys were dead." Huh? Ebenezer Scrooge (a nicely
- grave Michael Caine) has two dead partners--played by Statler
- and Waldorf, those sour kibitzers from the Muppet Show. Kermit
- the Frog is Bob Cratchit, Miss Piggy is Mrs. C., Gonzo is
- Charles Dickens...so this must be THE MUPPET CHRISTMAS
- CAROL, the first feature from Jim Henson Productions since the
- founder's death. Director Brian Henson hasn't his dad's genius
- for comic detail, and the film often sinks into the brown funk
- of a wake for the passed master. But when Kermit (now voiced by
- Steve Whitmire) says of his dead son, "I'm sure we shall never
- forget Tiny Tim," the film pays touching tribute to Kermit's
- creator and the blithe, antic puppet world he devised.
- </p>
- <p> CINEMA: Orion's Hope
- </p>
- <p> They ought to change the company's name to Phoenix. Orion
- Pictures has risen from the ashes of its bankruptcy to release
- a few good movies. The first is LOVE FIELD, a slim but affecting
- drama named for the Dallas airport where John F. Kennedy's plane
- landed on Nov. 22, 1963. Michelle Pfeiffer, glitzed up and
- dumbed down, is a restless housewife who vows to attend the
- President's funeral in Washington; Dennis Haysbert is the
- mysterious black man she tries to befriend. Director Jonathan
- Kaplan (The Accused, Heart Like a Wheel) has the gifts of
- finding verve and ambiguity in TV-movie subjects and drawing
- beautiful interpretations from his lead actresses. As with
- Pfeiffer here. Her work is glamourless, subtle, heroic; her
- performance is a righteous heartbreaker.
- </p>
-
- </body></article>
- </text>
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